![\"Night](\"https:\/\/gg3.eu\/wp-content\/uploads\/2019\/10\/Night-and-Day-w.jpg\" "\\"\\"")
<\/a>Night and Day, J\u00f6rn Birkholz, Stephan Gro\u00df<\/p><\/div>\n
The exploitation of fossil energy has given us the dream of flying, the free ride for free citizens, the consumer mania, the plastic flood, the comfortable warm apartment. Our use of petroleum, fuel oil, natural gas can also be seen as a drug problem.<\/p>\n
We use state-organized the fossil drug with all side effects like CO2 emissions and dependencies. Letting go of this non-substance drug causes withdrawal symptoms with all their irrational manifestations. One only has to look at the reader comments<\/a> to see the discussion about 30 km\/h in the city or 130 km\/h on the highway. An understanding of the disease of addiction is lacking. Rational argumentation gives way to addictive intransigence. Detailed our view: what is fossil seeks?<\/a><\/p>\n Parking garage. Photo: Tom Albrecht<\/p><\/div>\n Dining table. Photo: M. Schnauss<\/p><\/div>\n How do artists view fossil addiction and its treatment? How do you recognize addiction? Where does it occur? What might withdrawal therapy look like for citizens and the state? What do images of Fossil Addiction and its therapy look like?<\/p>\n Tom Albrecht<\/a>, J\u00f6rn Birkholz, Stephan Gro\u00df<\/a>, Marina Camargo<\/a>, Maria Korporal<\/a>, Merav Leibkuechler<\/a>, Steph Marx, Christoph Medicus<\/a>, Jasmin Odendahl, Katja Struif<\/p>\n Fireworks, 2019, Steph Marx: “I want, I buy, I don’t care.”<\/p><\/div>\n Jury: <\/b>Team GG3, Christoph Medicus with visitor in front of picture by Merav Leibk\u00fcchler. Photo: T.A.<\/p><\/div>\n Artist Steph Marx will be in attendance.<\/p>\n Artists of the exhibition present their works to the guests.<\/p>\n Maria Korporal in front of her “Good Trip, Bad Trip”, 2019<\/p><\/div>\n Christoph Medicus: Oil of yours can come and go (hug, suck, fuck, tuck, plug,…) yourselfs. (Black gold), since 2014. Black oily drops on the objects found on the street symbolically turn the consumption cycle around<\/p><\/div>\n <\/b>with the addiction physician Audio recording of the workshop discussion:<\/p>\nTom Albrecht – Suchtfalle, (2019) Rattenfalle, SUV-Modellauto, 25 x 10 x 10 cm, (C) A.Helbig<\/span>Die Suchtfalle entkommt der Mensch, wenn der seinen SUV stehen l\u00e4sst.<\/span><\/span><\/a> <\/div> <\/div> Marina Camargo – Brasilien. Extraktivismus, (2017) Video 10:14 min, (C) A.Helbig<\/span>Die K\u00fcnstlerin radiert im Video eine Landkarte von Brasilien, ihrer Heimat, aus.<\/span><\/span><\/a> <\/div> <\/div> J\u00f6rn Birkholz, Stephan Gro\u00df – Night and Day, (2019) Fotomontage, Digitaldruck, 40 x 40 cm gerahmt, (C) A.Helbig<\/span>J\u00f6rn Birkholz und Stephan Gro\u00df zeigen in ihrer Fotocollage wie die fossile Sucht aus dem Sog der Anstrengungslosigkeit entsteht.<\/span><\/span><\/a> <\/div> <\/div> Maria Korporal – Good Trip, Bad Trip, (2019) Experimentelles Video und Animation, 4:25 min, (C) A.Helbig<\/span>In ihrem Video wird die Autofahrt zum Rausch eines Drogenabh\u00e4ngigen.<\/span><\/span><\/a> <\/div> <\/div> Maria Korporal – Good Trip, Bad Trip, (2019) Experimentelles Video und Animation, 4:25 min, (C) A.Helbig<\/span>In ihrem Video wird die Autofahrt zum Rausch eines Drogenabh\u00e4ngigen.<\/span><\/span><\/a> <\/div> <\/div> Fossile Sucht, (C) A.Helbig<\/span>Arbeiten von Christoph Medicus, Merav Leibkuechler, Steph Marx<\/span><\/span><\/a> <\/div> <\/div> Merav Leibkuechler – Claustromania-2, (2016) Acryl auf Leinwand, 100 x 150 cm, (C) A.Helbig<\/span>Der wei\u00dfe Traum unserer W\u00fcnsche nach Komfort den das rote H\u00f6llenfeuer der Energiewirtschaft mit Blut stillt.<\/span><\/span><\/a> <\/div> <\/div> Fossile Sucht, (C) A.Helbig<\/span>Arbeiten von J\u00f6rn Birkholz\/Stephan Gro\u00df, Steph Marx<\/span><\/span><\/a> <\/div> <\/div> Steph Marx – Feuerwerk, (2019) Feuerwerksbatterie, Draht, Styropor, Acrylfarbe, Ohrst\u00f6psel, 50 x 36 x 36 cm, (C) A.Helbig<\/span>Steph Marx sieht im Feuerwerk zu Sylvester den gleichen Rausch wie in unserem Konsum der Wegwerfkultur.<\/span><\/span><\/a> <\/div> <\/div> Fossile Sucht, (C) A.Helbig<\/span>Arbeiten von Christoph Medicus und Merav Liebkuechler<\/span><\/span><\/a> <\/div> <\/div> Christoph Medicus – Oil of yours can come and go (hug, suck, fuck, tuck, plug,…) yourselfs. (Schwarzgold), (Seit 2014) Gefundene Plastikobjekte, Holt \u00d6lpastellkreide, versch. Gr\u00f6\u00dfen, (C) A.Helbig<\/span>Aus den gefundenen Plastikobjekten steigen in Christoph Medicus Werken \u00d6ltropfen auf; an drei Orten der Ausstellung.<\/span><\/span><\/a> <\/div> <\/div> Christoph Medicus – Oil of yours can come and go (hug, suck, fuck, tuck, plug,…) yourselfs. (Schwarzgold), (Seit 2014) Gefundene Plastikobjekte, Holt \u00d6lpastellkreide, versch. Gr\u00f6\u00dfen, (C) A.Helbig<\/span>Aus den gefundenen Plastikobjekten steigen in Christoph Medicus Werken \u00d6ltropfen auf; an drei Orten der Ausstellung.<\/span><\/span><\/a> <\/div> <\/div> Christoph Medicus – Oil of yours can come and go (hug, suck, fuck, tuck, plug,…) yourselfs. (Schwarzgold), (Seit 2014) Gefundene Plastikobjekte, Holt \u00d6lpastellkreide, versch. Gr\u00f6\u00dfen, (C) A.Helbig<\/span>Aus den gefundenen Plastikobjekten steigen in Christoph Medicus Werken \u00d6ltropfen auf; an drei Orten der Ausstellung.<\/span><\/span><\/a> <\/div> <\/div> Fossile Sucht, (C) A.Helbig<\/span>Arbeiten von Merav Leibkuechler und Jasmin Odendahl<\/span><\/span><\/a> <\/div> <\/div> Jasmin Odendahl – Benzin & Diesel, (2019) Fine Art Prints, (2x) 50 x 70 cm, gerahmt, (C) A.Helbig<\/span>Die K\u00fcnstlerin schreibt in ihren beiden Fine Art Prints die Schl\u00fcssel der Gefahren- und Sicherheitshinweise von Benzin und Diesel f\u00fcr Mensch und Umwelt.<\/span><\/span><\/a> <\/div> <\/div> Katja Struif – make fake place, (2019) Video, 7:22 min, (C) A.Helbig<\/span>Zuvor lebendige gebiete verwandeln sich in W\u00fcste als Folge von \u00f6konomischen\/milit\u00e4rischen Kriegen um Rohstoffe.<\/span><\/span><\/a> <\/div> <\/div> Katja Struif – make fake place, (2019) Video, 7:22 min, (C) A.Helbig<\/span>Zuvor lebendige gebiete verwandeln sich in W\u00fcste als Folge von \u00f6konomischen\/milit\u00e4rischen Kriegen um Rohstoffe.<\/span><\/span><\/a> <\/div> <\/div> Fossile Sucht, (C) A.Helbig<\/span>Arbeiten von Tom Albrecht, Christoph Medicus<\/span><\/span><\/a> <\/div> <\/div> <\/div> <\/div>\n<\/a><\/a>Artists show their critical contributions to “Fossil Addiction<\/h2>\n
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\n Location<\/b>
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\n : Project room GG3 of the <\/span>
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\n Group <\/span>
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\n Global 3000 <\/span>
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\n e.V.<\/span>
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\n , Leuschnerdamm 19, 10999 Berlin, <\/span>
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\n www.gg3.eu<\/span>
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\n Curator<\/b>
\n<\/span>Tom Albrecht<\/span> <\/span><\/p>\nFossil Addiction Program<\/h2>\n
Vernissage<\/b> 10.1.2020, 7 pm.<\/h3>\n
<\/a>Exhibition 17.1., 17 -20 h<\/strong><\/h3>\n
Artist talk <\/b>Jan. 24, 2020, 7 p.m.<\/b><\/h3>\n
<\/a><\/a>Workshop discussion <\/b>Mrs. Jan. 31, 7 p.m.<\/b><\/h3>\n
\nProf. Dr. med.<\/span><\/span> Tom Bschor, Chief Physician of the Schlossparkklinik and
\n<\/a> Prof. Dr. Hermann E. Ott, ClientEarth – Lawyers of the Earth, ex. Climate researcher at the Wuppertal Institute:
\n“How do we recognize the addiction to fossil energy among citizens and the state? Is there insight into the disease of addiction? What might withdrawal therapy look like for citizens and the state?<\/a>
\nThe two experts discuss answers and solutions in a public conversation. Moderated by Tom Albrecht.<\/p>\n