{"id":35311,"date":"2026-03-14T22:49:12","date_gmt":"2026-03-14T21:49:12","guid":{"rendered":"https:\/\/gg3.eu\/press-release-2\/"},"modified":"2026-03-15T12:12:57","modified_gmt":"2026-03-15T11:12:57","slug":"press-release-2","status":"publish","type":"page","link":"https:\/\/gg3.eu\/en\/press-release-2\/","title":{"rendered":"Press release"},"content":{"rendered":"

The Art of Climate Communication<\/strong><\/h1>\n

Exhibition 10.10. – 21.11.2025<\/p>\n

\"Jochen<\/a>

Jochen Czepa, Generation +1.5 Degree Celsius, 2024, Acrylic on canvas, 100 x 70 cm<\/p><\/div>\n

\u21d3 Press release (pdf)<\/a>
\n<\/strong>\u21d3 Flyer<\/a> <\/strong>
\n\u21d3 Poster<\/a><\/strong><\/h2>\n
\n

Art that protects <\/span>the climate <\/span> <\/strong><\/p>\n

To promote the art of climate communication, the Galerie Group Global 3000 is opening <\/span>on Friday, October 10, 2025, at 7:00 PM<\/span> in Berlin Kreuzberg <\/span>its new exhibition “The Art of Climate Communication,” featuring 24 works by 22 artists from seven countries.<\/span> <\/span><\/p>\n

They view climate communication as a fundamental key to activities against global warming. From an aesthetic perspective, the artists address the questions: How do we win people over to climate protection? How do we manage to reach them, touch them, and motivate them to act?<\/span> <\/span><\/p>\n

With its exhibition, Group Global 3000 presents art as a tangible force<\/span> that can help convey the climate crisis in an understandable, emotional, and effective way. <\/span>Petra Weifenbach’s i<\/span>mitations of traditional Delft tiles with sinking windmill motifs, distributed throughout the room, for example, differ subtly\u2014and demonstrate in aesthetic order how we overlook the progression of the crisis. The Californian artist <\/span>Keri Rosebraugh writes her message directly into the tormented landscape, like the biblical writing on the wall.<\/span> The video documentation of her action regarding the Eaton Fire calls for collective care in the climate crisis. Furthermore, postcards, fictional dating portals, and even mundane everyday materials such as toilet paper become media for a change in consciousness.<\/span> <\/span><\/p>\n

Whether ironic, poetic, or critical\u2014the exhibited <\/span>objects, paintings, installations, graphics, videos, photos, and performances from Germany, Switzerland, Mongolia, Australia, USA, Mexico, and France<\/span> challenge dominant narratives, design alternative information paths, or turn us into agents of change ourselves. In the process, the artists are asked to design transport and materials in a resource-conserving manner.<\/span> <\/span><\/p>\n

The exhibition is always <\/span>open on Tuesdays and Fridays from 5:00 PM to 8:00 PM, is accompanied by an interdisciplinary supporting program with guided tours for students and adult groups, and ends with a performance by Rosa Schmidt with Katharina Resch for the finissage on November 21, 2025.<\/span> <\/span><\/p>\n

\n

Jury Team GG3:<\/strong> Tom Albrecht, Stephan Gro\u00df, Maria Korporal, Vera Leisibach, John Maibohm, Andrea Striesova<\/p>\n

Curator:<\/strong> Tom Albrecht<\/p>\n

Co-curator:<\/strong> Stephan Gro\u00df<\/p>\n

\n

Program<\/strong><\/h2>\n

10.10. Vernissage with performance<\/span><\/b> <\/span><\/p>\n

Welcome, introduction to the exhibition, artists of the GG3 team perform the “Art of Climate Communication”<\/span> <\/span><\/p>\n

17.10. Lecture with conversation<\/span><\/b> <\/span><\/p>\n

“How does good climate communication succeed?”, Katja Weber, Klimafakten.de network<\/span> <\/span><\/p>\n

24.10. Artist talk (on-site & online)<\/span><\/b> <\/span><\/p>\n

Artists from the exhibition talk about their works on site and online with guests. Guests in the exhibition and online are welcome! Link for participation, see from Oct 17 on the website.<\/span> <\/span><\/p>\n

07.11. Bag Parade (audience activity)<\/span><\/b> <\/span><\/p>\n

Guests and actors present their cloth bags with the most beautiful greenwashing. Those present choose the best bag. We award prizes. <\/span> <\/span>Moderation: Tom Albrecht<\/span> <\/span><\/p>\n

14.11. “Klimaton” \u2013 Sound performance by Adnan & Nina Softi\u0107<\/span><\/b> <\/span><\/p>\n

The artist duo presents their generative sound from Arctic data and their musical instrument.<\/span> <\/span><\/p>\n

21.11. finissage<\/span><\/b> <\/span><\/p>\n

Rosa Schmidt with Katharina Resch <\/span>Performance “<\/span>PINUS WALTZ\/CONVERSATION OF TERPENES”<\/span> <\/span><\/p>\n

\n

Here you will find a brief description of the individual artworks:<\/strong><\/h3>\n

Tom Albrecht: <\/span><\/b>Fossil Party<\/span><\/i> <\/span><\/b>
\nA rotating mirror ball under a rocket projects a party atmosphere\u2014triggered by the movement of the recipients. Behind it: the play between the two worlds. An object as an ironic staging of our ignorance toward the fossil fuel intoxication.<\/span> <\/span><\/p>\n

Joachim Czepa: <\/span><\/b>Generation +1.5 Degrees Celsius<\/span><\/i> <\/span><\/i><\/b>
\nA self-portrait made of 70 climate stripes, based on real temperature data, connects biographical time with global warming\u2014making the invisible personally tangible within the painting.<\/span> <\/span><\/p>\n

Ute Diez:<\/span><\/b> <\/span><\/i>ClimateSession<\/span><\/i>
\nToilet paper as a carrier of scientific facts about oceans and climate: A humorous attempt to raise awareness for sustainability in a low-threshold and everyday manner.<\/span> <\/span><\/p>\n

Stephan Gro\u00df: <\/span><\/b>SHOWTIME CLIMATE<\/span><\/i> <\/span><\/i><\/b>and<\/span> <\/span><\/b>Message in a bottle<\/span><\/i> <\/span><\/i><\/b>
\nThe typogram “Showtime Climate” addresses climate discourse as a media spectacle. A second work connects a recycled water bottle with UN Goal 13\u2014and asks where communication ends and greenwashing begins.<\/span> <\/span><\/p>\n

Karin Heinrich: <\/span><\/b>Making Water<\/span><\/i> <\/span><\/i><\/b>
\nA ring of ice melts slowly\u2014the video “Making Water” visualizes climate-related change, the pace of which we often do not (want to) perceive.<\/span> <\/span><\/p>\n

Kaki H\u00f6hn: <\/span><\/b>Still Glitter Under My Fingernails<\/span><\/i> <\/span><\/i><\/b>
\nDigitally processed film material from L\u00fctzerath documents resistance and generational knowledge\u2014a cinematic narrative about the climate struggle as lived memory.<\/span> <\/span><\/p>\n

Helge & Saxana: <\/span><\/b>Vanished Homes \/ ALL VILLAGES REMAIN<\/span><\/i> <\/span><\/i><\/b>
\n48 miniature paintings of threatened, demolished locations in 1.5 m\u00b2 of original soil commemorate villages in the Rhenish mining district\u2014and the coal resistance ten years after Paris 2015. The project is represented here by a sample exhibit.<\/span> <\/span><\/p>\n

Jens Isensee: <\/span><\/b>Novocene – A Possible Future<\/span><\/i> <\/span><\/i><\/b>
\nIn the installation “Novocene,” the real exhibition sinks into the sea through virtual overlay\u2014an interactive scenario that dystopically intertwines AI, technology, and the climate crisis.<\/span> <\/span><\/p>\n

ANUnaran Jargalsaikhan: <\/span><\/b>Connection to Mother Earth<\/span><\/i>
\nThe video “Connection to Mother Earth” reflects a Mongolian perspective on connectedness and climate protection.<\/span> <\/span><\/p>\n

Maria Korporal: <\/span><\/b>Call to Climate Action<\/span><\/i> <\/span><\/i><\/b>
\nA telephone receiver invites dialogue\u2014in the video, the artist responds visually. A work that not only shows communication but stages and enables it.<\/span> <\/span><\/p>\n

Stephan Kurr: <\/span><\/b>i would if i could<\/span><\/i> <\/span><\/i><\/b>
\nA woodcut is created from the felling notches of cut ash trees: “I would \/ if I could \/ run!”\u2014an artistic act of remembrance and resistance.<\/span> <\/span><\/p>\n

Vera Leisibach: <\/span><\/b>If We Could Talk<\/span><\/i> <\/span><\/i><\/b>
\nInsects speak to us in irritating song. Lightness and urgency merge\u2014a sensory experimental video as communication beyond facts.<\/span> <\/span><\/p>\n

John Maibohm: <\/span><\/b>Chance Find: Climate Postcard<\/span><\/i> + <\/span><\/i><\/b>Meet me if You (still) can \/ Together, become a climate savior<\/span><\/i>
\nPolar bear meets penguin at the equator: Two works present climate communication via postcard campaigns and storyboards\u2014low-threshold, surprising, strategic.<\/span> <\/span><\/p>\n

Thomas M\u00f6ller: <\/span><\/b>give-away<\/span><\/i> <\/span><\/i><\/b>
\nAn outdoor thermometer in the style of an airline ironically points to the tension between advertising, self-perception, and responsibility.<\/span> <\/span><\/p>\n

Keri Rosebraugh: <\/span><\/b>Remember Here<\/span><\/i> <\/span><\/i><\/b>
\nThe video about the Eaton Fire in California calls for collective care in the climate crisis. A poetic warning: “What we hold, holds us.”<\/span> <\/span><\/p>\n

Mar\u00eda Huerta: <\/span><\/b>Digital garden<\/span><\/i> <\/span><\/i><\/b>
\n“Digital Garden” weaves emotion, climate justice, and Latinx voices into a multi-layered, audiovisual climate essay\u2014between trauma and resilience.<\/span> <\/span><\/p>\n

Rosa Schmidt: <\/span><\/b>PINUS WALTZ\/CONVERSATION OF TERPENES<\/span><\/i> <\/span><\/b>
\nIn her performance “Pinus Waltz,” dance-like terpene forms of communication between humans and nature are activated\u2014multisensory and reflexive.<\/span> <\/span><\/p>\n

Artist duo verstoffwechselt: <\/span><\/b>Transformation<\/span><\/i> <\/span><\/i><\/b>
\nAn infusion nourishes basil and lets a pen grow\u2014an installation as a silent image of water loss, hope, and the effectiveness of individual impulses.<\/span> <\/span><\/p>\n

Julien Stiegler: <\/span><\/b>E=C02 – the polar bear<\/span><\/i> <\/span><\/i><\/b>
\nA polar bear discovers a refrigerator in the eternal ice\u2014the charming animated video poses a surreal question about energy production without destructive consequences.<\/span> <\/span><\/p>\n

Andrea Streit: <\/span><\/b>Mr. Gaebler, do you use sunscreen?<\/span><\/i>
\nIn drawings and notes on the renovation of Gendarmenmarkt, climate-friendly urban planning and its real contradictions are examined.<\/span> <\/span><\/p>\n

Lioba von den Driesch: <\/span><\/b>going to the beach II<\/span><\/i> <\/span><\/i><\/b>
\nThe Victory Column becomes an a<\/span>ctivist with a “TAX THE SUPER RICH” balloon in the smog. <\/span>An iconic march in moving images for social justice in the climate discourse.<\/span> <\/span><\/p>\n

Petra<\/span><\/b> <\/span>Weifenbach<\/span><\/b>: <\/span><\/b>HOLLAND IN DISTRESS 25<\/span><\/i> <\/span><\/i><\/b>
\nImitations of traditional Delft tiles with sinking windmill motifs, distributed throughout the room, differ subtly\u2014and demonstrate in aesthetic order how we overlook the progression of the crisis.<\/span> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The Art of Climate Communication Exhibition 10.10. – 21.11.2025 \u21d3 Press release (pdf) \u21d3 Flyer \u21d3 Poster Art that protects the climate To promote the art of climate communication, the Galerie Group Global 3000 is opening on Friday, October 10, 2025, at 7:00 PM in Berlin Kreuzberg its new exhibition “The Art of Climate Communication,” […]<\/p>\n","protected":false},"author":25,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"class_list":["post-35311","page","type-page","status-publish","hentry"],"yoast_head":"\nPress release | Galerie f\u00fcr nachhaltige Kunst in Berlin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gg3.eu\/en\/press-release-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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